Over on OAC, a new seminar is underway. The topic is Joanna Overing’s paper, An Amazonian Question of Ironies and the Grotesque. During an exchange with Joanna, I write,
When you write that, “Piaora laughter seems to me very close to Daoism,” you are, I suspect, alluding to what Chinese call Daojia, usually described as “Daoist philosophy” and associated with classic texts like the Dao De Jing attributed to Lao Zi or the Zhuangzi,attributed to Zhuang Zi. What I studied in Taiwan was Daojiao, usually described as Daoist religion, whose relationship to Daojia is complex and often contrary. But let’s put that aside. What you write reminded me of a book by N. J. Girardot titled Myth and Meaning in Early Taoism (University of California Press, 1983, a volume in the series “HERMENEUTICS: Studies in the History of Religion”). In the preface to the paperback edition Girardot writes,
Chaos is an oddly fashionable topic these days. This is not the usual state of affairs, since chaos has typically been imagined as the fearful antagonist of God, of the cosmic order, and of all that is normal. The dark Otherness of chaos has, therefore, most commonly lurked within the locked closets of civilized discourse and sanctioned revelation—only showing its monstrous and misshapen face, still half-concealed by a primordial hockey mask, at times of dreadful confusion, insane retribution, and irrevocable change. However, at other times and sporadically within some traditions—especially as seen in the early Taoist texts examined in this work—chaos has been upheld as the creative source, hidden order, and ongoing power of cosmic life.
Girardot then moves on to chaos as conceived by modern science, mathematics and economics.
As pointed out in best-selling works like James Gleick’s Chaos: Making a New Science (New York: Viking, 1987), “chaos theory”—and its attendant exotica of Mandelbrot sets, Koch curves, Menger sponges, fractal clusters, smooth noodle maps, and other beautiful “monstrosities”—has opened horizons of understanding in fields concerned with the strange science of process and becoming.
While I wish to suggest no more than a very simple rhetorical symmetry between chaos theory in contemporary science and the hun-tun theme of a blessed “chaos-order” in the ancient Taoist texts, beneath the surface, and somewhat chaotically, both emphasize understanding reality in its authentic “wildness”—as a dynamic system in which constant change and erratic complexity harbor an enigmatic principle of patterned regularity and regeneration….For both, it has to do with the interrelated flowing of heaven and earth—the way clouds form, smoke rises, and water eddies, as well as the way human health depends on the inner rhythms of the body.
What I wish to point out here is that the “monstrous and misshapen” are described here as the evil other of the Southwest Asian monotheist’s Almighty God, the patriarchal principle of order in all things. The “monstrosities” mentioned in connection with scientific chaos theory are, in fact, patterns of exquisite beauty, examples of dynamic order that emerge from chaotic processes, becomings rather than beings. To me they seem as alien to
The story of creation time [as] one of poisoned intentionalities, of cosmic follies: … a story of greed, hubris and mental derangement
as they are to the timeless order envisioned by Greek philosophers or Christian theologians or the Genesis story in which God speaks and the world Is, and death and evil slip in through the actions of Adam and Eve, who are ancestors but in no sense divine. Taking your premise,
that the humanities must be privileged to understand the polities/ societies of others of different time or spaces
as given, how should we account for these differences?
Let me rephrase the final question. How would you account for these differences?